Why seraphim like lutanists arranged
Above the trees? And why the poet as
Eternal chef d'orchestre?

Air is air,
Its vacancy glitters round us everywhere.
Its sounds are not angelic syllables
But our unfashioned spirits realized
More sharply in more furious selves.

And light
That fosters seraphim and is to them
Coiffeur of haloes, fecund jeweller?
Was the sun concoct for angels or for men?
Sad men made angels of the sun, and of
The moon they made their own attendant ghosts,
Which led them back to angels, after death.

Let this be clear that we are men of sun
And men of day and never of pointed night,
Men that repeat antiquest sounds of air
In an accord of repetitions. Yet,
If we repeat, it is because the wind
Encircling us, speaks always with our speech.

Light, too, encrusts us making visible
The motions of the mind and giving form
To moodiest nothings, as, desire for day
Accomplished in the immensely flashing East,
Desire for rest, in that descending sea
Of dark, which in its very darkening
Is rest and silence spreading into sleep.

...Evening, when the measure skips a beat
And then another, one by one, and all
To a seething minor swiftly modulate.
Bare night is best. Bare earth is best. Bare, bare,
Except for our own houses, huddled low
Beneath the arches and their spangled air,
Beneath the rhapsodies of fire and fire,
Where the voice that is in us makes a true response,
Where the voice that is great within us rises up,
As we stand gazing at the rounded moon.